Flicking through my collection this week searching for stamps featuring architecture, the theme of this weeks Sunday Stamps, I was slighty dismayed about the disproportionate number of horse-racing stamps Australia has issued over the years compared to stamps on architecture. Even for a sporting nation such as ours, I was surprised to see so many horse stamps. Although I should hardly be shocked, given I live in a city that has a public holiday for a horse race: on the First Tuesday in November for Melbourne Cup, aka 'the race that stops the nation'.
Anyhow, Australian stamps make up the heart and soul of my collection, and I so I desperately wanted to be able to showcase some Australian architecture for Sunday Stamps, but for a moment I thought Australia Post was going to let me down. Then I went back to Grandma Nellie's stamp collection and found these gems from the 70s.

The stamps were issued in October 1973. The Sydney Opera House is an obvious choice for an Australian Architecture stamp, and the blue 7c issue was the standard postal rate at that time. Melbourne is represented on the 40c stamp by Como House, which is a National Trust owned property, and is a gorgeous relic of a bygone era now surrounded by the bustling inner suburbs of the metropolis. We had a gorgeous 'high tea' there for my sister's hens a few years ago, an appropriately special place for a special occasion.
I don't really know anything about Buchanans in Townsville, or St. James Church in Sydney. What I do know is that these stamps are another example of the bold simplicity of 1970s Australian stamp design which really floats my boat.
When perusing my Stamps of Australia catalogue, which I purchased last week, I found that Australia has in fact celebrated architectural design in another set of stamps showcasing landmarks of Modern Australian Architecture in 2007. That makes two architectural issues versus what I count as five horse-racing or horse-racing-related issues!
| Image from Icograda |
This is an entry for Viridian's Sunday Stamps.

































